Body & image7 min read
Reading statues without hunting names
Begin with posture, balance and the physical relation between object and viewer.
A close-looking guide
Three substantial close-looking sessions that work across Egyptian museum collections and survive changes in individual displays.
Begin with posture, balance and the physical relation between object and viewer.
Observe direction, placement, scale and the people who could encounter a text.
Use tool traces, joins, fibres, firing and repair to recover skilled work.
Keep the scope honest
Completion is not measured by rooms crossed. If one comparison changes how you understand a material, image or inscription, the session has worked.